by Cory Woodroof | Aug 1, 2014 | Opinion
If Marvel Studios’ track record tells you anything, it’s that the company isn’t afraid to roll the dice. By now, it’s almost humorous to think that making Robert Downey Jr. into Iron Man, casting two relative unknowns (Chris Hemsworth and Tom Hiddleston) into the roles of Thor and Loki and handing Joss Whedon the keys to the Avengers kingdom were incredible risks at the beginning. But, really, that’s been the studio’s mantra ever since Tony Stark took to the skies – “We’re unafraid to take chances because, most of the time, we’re right.” It’s a formula that’s garnered a conglomeration of critical praise, audience adornment and box office records. As rival comics company DC attempts to play a game of Jenga to get their long-gestated Justice League franchise off the ground (fingers crossed), Marvel coasts across their ‘Marvel Cinematic Universe’ with the self-dubbed ‘Phase 2’ nearly in the rearview mirror (next summer’s Avengers: Age of Ultron will tie the knot on the second part of the overarching Avengers storyline, with vehicles for Ant-Man, Dr. Strange and others on the way). Although, the studio hit a public snag in May when lauded director Edgar Wright bolted his prized Ant-Man adaptation, a project that, according to rumor, went through many failed offers before landing in the hands of comedy vet Peyton Reed. Speculation painted Marvel as a controlling cookie-cutter, afraid to embrace the potentially diverse take Wright had on the character and its universe. “How dare a visionary enter our arena and try to go against the grain that we’ve established?” With a movie like Guardians of the Galaxy now under...
by Cory Woodroof | Jul 3, 2012 | Uncategorized
If when watching The Amazing Spider-Man a feeling of sincere déjà vu looms over your collective memory, then don’t worry. You’re not alone. The newest incarnation of everyone’s friendly neighborhood hero might seem a bit too familiar to some since this origin story has already been told to greater success. I’m talking, of course, about 2002’s Spider-Man. The original take on Peter Parker’s rise to hero status featured Tobey Maguire’s nerdy Parker, Willem Dafoe’s Dr. Jekyll and Mr. Hyde-esque Norman Osborne/Green Goblin, Kirsten Dunst’s dreamy love interest Mary Jane Watson, James Franco’s cool-but-jaded best friend Harry Osborne, the infamous upside-down rain kiss, pumpkin bombs, a jerky Flash Thompson and, of course, Uncle Ben’s legendary call for great responsibility to follow great power. Two sequels soon followed. Five years removed from Spider-Man 3 (the final film in the original trilogy), the new Spider-Man flick feels a little too close for comfort. This time, Andrew Garfield plays a hipper version of Peter (skateboard and angst included), Rhys Ifans plays the Dr. Jekyll and Mr. Hyde-esque Dr. Curt Connors/Lizard, Emma Stone plays the dreamy love interest Gwen Stacy. There’s no best friend for Parker this time (he’s a loner, naturally), but we’ve got another jerky Flash Thompson, more kissing, another scientific weapon and, of course, a call for responsibility from Uncle Ben. See what I’m coming from? I don’t want to make this review seem more negative than it is (I actually liked elements of the film quite a bit), but as origin stories go, you’re going to have to shake off the inert feeling déjà vu if you have any desire to truly enjoy this reboot....
by Cory Woodroof | Jun 22, 2012 | Uncategorized
After Cars 2, I began to wonder if Pixar’s magic was on a brief hiatus. Sure, Cars 2 isn’t a horrible film. It has some decent qualities, but the entire film just lacks the usual Pixar flair. As a frequent movie-goer, I have to admit that missing that yearly feeling of Pixar awe and wonder really left a hole in my cinematic heart. There’s just something about Pixar films that give viewers a special feeling. Thinking back on Ratatouille, I remember the flashback sequence to food critic Anton Ego’s childhood – that moment of serene bliss when old Ego remembers the feeling of a home-cooked meal. It’s one of my favorite moments in any movie ever. It’s what I feel when I watch movies that I love – many of them opening with the Pixar logo. So after Cars 2 disappointed, I began to wonder if that feeling would ever come back. Brave, the 13th Pixar film, brought back a few shreds of Pixar’s warmth, but not the entire feeling. The original fairy tale helped me remember some of the magic from Pixar’s past, but at the end, I just didn’t get full closure. Brave is a very well done Disney movie, but is it a great Pixar movie? That’s the question at hand. Brave is both an experiment and a dance in the comfort zone for Pixar. While this is the studio’s first fairy tale, Brave features so many staple features of the studio’s lineage of hits that it almost feels as if Pixar is treading light water. While Brave could have used the fierce stamp of originality...
