by Ashley Bingham | Mar 6, 2020 | Arts and Entertainment, News Slider, Opinion
Onward features a family of elves with who lost their father before their youngest son was born. Ian Lightfoot, voiced by Tom Holland, and older brother Barley, voiced by Chris Pratt, are two brothers who could not be more different. Single mom Laurel, voiced by Julia Louis-Dreyfus, has done her best to raise them in little New Mushroomtown. This is a world full of mythical creatures that have found a content life living without their gifts from nature. Magic has long been forgotten in favor of a more efficient and easier solution: Technology. The film begins on Ian’s 16th birthday, when the viewer sees him living a life with which he’s not quite satisfied. His shy tendencies, and not to mention his embarrassing older brother, make it hard for him to feel accepted and comfortable at school. Laurel reveals that their father had left behind a gift for the two sons, only to be given to them once they were both older than 16: A wizard’s staff, an enchanted stone and a spell to bring back their beloved dad for one whole day. Ian turns out to have a natural talent at casting spells, and is able to bring back their father. Well, the lower half of him. With the enchanted stone destroyed, the boys must embark on a quest to find another stone in order to bring back the entirety father before time runs out. Barley, who has a passion for table-top magic games, Ian with the wizard’s staff, and the hilarious pair of legs that is their father head out on their journey in order to be...
by Cory Woodroof | Aug 1, 2014 | Opinion
If Marvel Studios’ track record tells you anything, it’s that the company isn’t afraid to roll the dice. By now, it’s almost humorous to think that making Robert Downey Jr. into Iron Man, casting two relative unknowns (Chris Hemsworth and Tom Hiddleston) into the roles of Thor and Loki and handing Joss Whedon the keys to the Avengers kingdom were incredible risks at the beginning. But, really, that’s been the studio’s mantra ever since Tony Stark took to the skies – “We’re unafraid to take chances because, most of the time, we’re right.” It’s a formula that’s garnered a conglomeration of critical praise, audience adornment and box office records. As rival comics company DC attempts to play a game of Jenga to get their long-gestated Justice League franchise off the ground (fingers crossed), Marvel coasts across their ‘Marvel Cinematic Universe’ with the self-dubbed ‘Phase 2’ nearly in the rearview mirror (next summer’s Avengers: Age of Ultron will tie the knot on the second part of the overarching Avengers storyline, with vehicles for Ant-Man, Dr. Strange and others on the way). Although, the studio hit a public snag in May when lauded director Edgar Wright bolted his prized Ant-Man adaptation, a project that, according to rumor, went through many failed offers before landing in the hands of comedy vet Peyton Reed. Speculation painted Marvel as a controlling cookie-cutter, afraid to embrace the potentially diverse take Wright had on the character and its universe. “How dare a visionary enter our arena and try to go against the grain that we’ve established?” With a movie like Guardians of the Galaxy now under...
