by Cory Woodroof | Apr 11, 2012 | Opinion
Blue Like Jazz is a rarity. Once in a blue moon, the Christian base in Hollywood will strike lightning in a bottle, producing a satisfying look at faith and religion through unfiltered eyes. More often than not, audiences are served up a fresh bowl of faith-based pabulum – be it in the form of a “Kendrick brothers original” (Facing the Giants, Fireproof) or another off-brand copycat you might find at the local Redbox. Films made by the faithful often lack any bite. The projects are too focused on being happy, inoffensive and resolved. The end result is harmless, but a typical Sunday morning sermon usually finds greater success. This past August, golf-centric melodrama Seven Days in Utopia succeeded in slightly rising above the genre, providing a decently endearing story while staying within the confines of the churchyard. Having a cast featuring Robert Duvall and Melissa Leo didn’t hurt. Still, I wondered when the right movie would come along at the right time to finally put an end to the usually languished faith-based fare. I wondered when a filmmaker would be bold enough to portray the daily walk of a Christian without a coating of fresh sugar. Blue Like Jazz, adapted from Donald Miller’s best-selling memoir, finally offers Christian audiences a film they can be proud of – a journey into faith and life through the eyes of a scarred believer. Don Miller (Marshall Allman) stands as the example of the perfect Bible-belt Christian until a horrid discovery sends him from his Texas home to Oregon’s Reed College, a super-secular institution based in free expression. Miller begins to struggle with...
